Colorscape Analysis with an Emphasis on the Visual Relationship in Historic Urban Landscape; Case Study: The Zandieh Complex in Shiraz

Document Type : Original Article

Authors

1 M.Sc. Student of Urban Heritage Conservation and Restoration,Department of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran.

2 Associate Professor, Department of Urban Planning and Design, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran.

3 Professor, Department of Urban Planning, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran.

4 Associate Professor, Department of Urban Planning, Faculty of Art and Architecture, Shiraz University, Shiraz, Iran.

Abstract

Color is a fundamental component of the visual identity of historic urban landscapes and plays a critical role in urban readability, aesthetic coherence, and heritage continuity. Despite its importance, systematic quantitative analysis of urban color systems remains limited in many historic cities. This study aims to analyze the colorscape of the Zandieh historic complex in Shiraz, Iran, with particular emphasis on its contribution to visual cohesion within the framework of the Historic Urban Landscape (HUL) approach.
The research adopts a descriptive–analytical methodology based on field sampling of authentic façade colors. Approximately 600 images of historic urban facades were collected, from which 100 representative samples of brick and tile surfaces were selected after filtering altered or non-original elements. Color values were extracted from the images and processed in MATLAB. The data were converted from RGB to the perceptually uniform CIELAB color space and analyzed using the K-Means clustering algorithm to identify dominant color groups. The optimal number of clusters was determined using the Elbow method.
The findings reveal that the color structure of the Zandieh complex is characterized by a dominant palette of warm earthy tones derived primarily from brick materials. These colors exhibit moderate lightness and limited chromatic variation, forming a cohesive visual background across urban facades. In contrast, tile decorations present a broader chromatic range with higher perceptual differences, functioning as visual accents within the overall composition. Distance analysis using ΔE values demonstrates that brick colors maintain relatively small perceptual differences, reinforcing visual continuity, whereas tile colors introduce controlled contrast and spatial emphasis.
The study concludes that the visual cohesion of the Zandieh historic landscape emerges from a structured relationship between homogeneous background tones and selective color contrasts. The extracted palette provides a scientific basis for developing color guidelines for restoration and urban design interventions in historic areas. The proposed approach demonstrates how quantitative color analysis can support heritage conservation strategies within the HUL framework.

Highlights

  • Urban colorscape refers to the set of color relationships and patterns among different elements of the urban environment that collectively shape the overall visual quality of the city.
  • Understanding and guiding the urban color system through landscape conservation strategies particularly within the Historic Urban Landscape (HUL) approach plays a key role in preserving visual integrity and sustaining the historical identity of cities.
  • This study aims to analyze the urban colorscape with emphasis on visual cohesion within the framework of the Historic Urban Landscape approach in the Zandieh Complex of Shiraz.

Keywords


  • Asadpour, A. (2018). Square and City: The History of Toopkhaneh Squares from Tehran to Shiraz. Shiraz: Niyareh Publications. [In Persian].
  • Asarzadeh, K., Ghazanfari, P., & Gholinejad Pirbazari, A. (2020). Recovering figure–ground perception in Tehran’s colour plan. Color Research & Application, 45(6), 1179–1189. https://doi.org/10.1002/col.22542
  • Ashrafi, M., & Moazezi Mehr-e-Tehran, A. M. (2019). Historic urban landscape; the main concept and approach of conservation discourse. Athar, 40(4), 301–313. [In Persian].
  • Australia ICOMOS. (1996). The Burra Charter: The Australia ICOMOS charter for places of cultural significance. Australia ICOMOS.
  • Avaznejad, F., & Sheibani, H. (2019). Color in Arsen Zandieh Shiraz. Journal of Studies in Color World, 9(2), 43–52. [In Persian].
  • Avaznejad, F., & Sheibani, H. (2021). Study of color in the architecture of Nasir Al-Molk Mosque in Shiraz. Journal of Studies in Color World, 11(1), 23–34. [In Persian].
  • Badami, A. A. (2022). Management of the image of the city in urban planning: Experimental methodologies in the colour plan of the Egadi Islands. Urban Design International, 30, 21–36. https://doi.org/10.1057/s41289-022-00200-1
  • Bandarin, F., & van Oers, R. (2012). The historic urban landscape: Managing heritage in an urban century. Wiley Blackwell.
  • Gasparini, K. (2024). Urban color plan: The case study of the Ledro Valley (Italy). Color Research & Application, 49(6), 618–634. https://doi.org/10.1002/col.22947
  • Hsiao, S. W., Hsu, C. F., & Tang, K. W. (2013). A consultation and simulation system for product color planning based on interactive genetic algorithms. Color Research & Application, 38, 375–390. https://doi.org/10.1002/col.21730
  • (1964). International charter for the conservation and restoration of monuments and sites (The Venice Charter). International Council on Monuments and Sites.
  • (2000). Charter on the built vernacular heritage. International Council on Monuments and Sites.
  • Jafarpour Nasser, S., Esfanjary Kenari, E., & Tabibian, M. (2020). Historic urban landscape approach: A new tool for urban heritage management. Journal of Iranian Architecture & Urbanism (CIAUJ), 5(1), 183–199. https://doi.org/10.29252/ciauj.5.1.11 [In Persian].
  • Jokilehto, J. (2010). International charters on urban conservation: Some thoughts on the principles expressed in current international doctrine. City & Time, 4(3), 23–42.
  • Kavian, M. (2019). Preparing a framework for recognizing and documenting the components of integrity in the historic urban landscape (HUL) with the aim of conservation management (Doctoral dissertation, Art University of Isfahan). [In Persian].
  • Khalili, R. (2019). The role of color in sense of place: Tajrish and Hassan Abad squares, Tehran (Master’s thesis, Politecnico di Milano).
  • Lenclos, J. P. (2019). The geography of colour. In T. Porter & B. Mikellides (Eds.), Colour for Architecture Today (pp. 39–44). Taylor & Francis. https://doi.org/10.4324/9781315881379-10
  • O’Connor, Z. (2003). Pixel perfect? Environmental colour mapping using digital technology. In Proceedings of the 37th Australian and New Zealand Architectural Science Association Conference (pp. 686–716).
  • O’Connor, Z. (2004). Environmental colour mapping using digital technology. In EDRA35: Annual Conference of the Environmental Design Research Association (pp. 71–80).
  • O’Connor, Z. (2006). Environmental colour mapping using digital technology: A case study. Urban Design International, 11(1), 21–28.
  • O’Connor, Z. (2008). Façade color and aesthetic response: Examining patterns of response within the context of urban design and planning policy in Sydney (Doctoral dissertation, The University of Sydney).
  • O’Connor, Z. (2009). Digital colour mapping. In T. Porter & B. Mikellides (Eds.), Colour for Architecture Today. Taylor & Francis.
  • O’Connor, Z., & Sheibani, H. (2022). Environmental color mapping in a historic UNESCO heritage context: Urumanat, Iran. In Proceedings of the AIC 2022 Conference of the International Colour Association.
  • Porter, T., & Mikellides, B. (1976). Colour for architecture. Studio Vista.
  • Qolami Qadi, K. (2024). Evaluation of “intelligent utilization scenarios with historic urban landscape approach” in the wetland city of Bandar-e Khamir. Tourism of Culture, 4(15), 56–63. https://doi.org/10.22034/toc.2024.431507.1148 [In Persian].
  • Serra, J., Cabodevilla-Artieda, I., Torres-Barchino, A., & Llopis, J. (2023). Color induction in the restoration of architecture in historic city centers. Color Research & Application, 48(6), 670–681. https://doi.org/10.1002/col.22856
  • Sharifi, M., Sheibani, H., & Bayat Beheshti Fard, S. S. (2023). Studying and reviewing the comprehensive plan of the color palette of the city. Journal of Studies in Color World, 13(1), 33–49. [In Persian].
  • Sheibani, H., Sholeh, M., Lotfi, S., & Hajipour, K. (2025). Assessing the colorscape conservation and restoration strategies for Narenjestan Ghavam Historical Passageway, Shiraz, Iran. Journal of Studies in Color World. Advance online publication. https://doi.org/10.30509/jscw.2025.167609.1250 [In Persian].
  • Tadayon, B., Abouei, R., & Ghaleh Noee, M. (2019). Evaluation of color order of historical fabrics landscape with the aesthetic perception of urban scape approach (Case study: Hassanabad neighborhood of Esfahan). Honar-Ha-Ye-Ziba: Memari-Va-Shahrsazi, 9(19), 79–100. [In Persian].
  • Tadayon, B., Ghalehnoee, M., & Abouei, R. (2018). Proposing a method for analyzing the color facade and adopting it as pattern in historic urban spaces’ scape (Case study: Naghsh-e Jahan Square of Isfahan). Bagh-e Nazar, 15(59), 43–56. https://doi.org/10.22034/bagh.2018.60566 [In Persian].
  • Tadayon, B., Ghalehnoee, M., & Abouei, R. (2022). Suggesting a method for preparing the color palette of the place, an approach to conserve the historic urban landscape (Case study: Jolfa neighborhood in Isfahan). Journal of Iranian Architecture & Urbanism (JIAU), 13(1), 39–53. https://doi.org/10.30475/isau.2020.231431.1419 [In Persian].
  • Taylor, K. (2016). The historic urban landscape paradigm and cities as cultural landscapes: Challenging orthodoxy in urban conservation. Landscape Research, 41(4), 471–480.
  • (1976). Recommendation concerning the safeguarding and contemporary role of historic areas. UNESCO.
  • (2008). Operational guidelines for the implementation of the World Heritage Convention. https://whc.unesco.org/archive/opguide08-en.pdf
  • (2011). Recommendation on the historic urban landscape. UNESCO.
  • (2016). The HUL guidebook: Managing heritage in dynamic and constantly changing urban environments. UNESCO.
  • van Oers, R., Bandarin, F., & Rodwell, D. (2010). The historic urban landscape: Managing heritage in an urban century. Journal of Cultural Heritage Management and Sustainable Development, 1(1), 10–15.
  • Wang, J., Zhang, L., & Gou, A. (2020). Study of the color characteristics of residential buildings in Shanghai. Color Research & Application, 46, 240–257. https://doi.org/10.1002/col.22565
  • Yan, L., Li, Q., Zhang, Y., & Zhu, C. (2022). Computer vision quantization research on the architectural color of Avenida de Almeida Ribeiro in Macau based on the human eye perspective. Frontiers in Computational Neuroscience, 16, Article 951718. https://doi.org/10.3389/fncom.2022.951718
  • Yu, B. (2023). Understanding new colors in urban environments: Deciphering colors as semiotic resources. Color Research & Application, 48(5), 1–11. https://doi.org/10.1002/col.22871
  • Zabetian, E., & Kheiroddin, R. (2020). Evaluation of fixed color scape perception in urban spaces (Case study: Imam Hossein Square in Tehran). Manzar, 12(50), 28–39. https://doi.org/10.22034/manzar.2020.119396.1741 [In Persian].
  • Zakery, S. M. H., Sarafraz, L., & Azizi Ronagh, M. M. (2016). Color palette in Qajar-era houses of Shiraz. In Proceedings of the International Conference on Civil Engineering, Architecture and Urban Landscape. [In Persian].
  • Zhang, S., & Li, J. (2013). Visual city colour design: Taking the study of Wuhan city colour as an example. Advanced Materials Research, 742, 127–130. https://doi.org/10.4028/www.scientific.net/AMR.742.127
  • Receive Date: 11 April 2026
  • Revise Date: 05 May 2026
  • Accept Date: 22 May 2026
  • First Publish Date: 21 June 2026
  • Publish Date: 21 June 2026