Analyzing the Characteristics of Architecture and the Structure of ‘Urban ’ Design in ‘Arsen-e Zandieh’, Shiraz

Document Type : Original Article

Authors

1 Associate Professor, Department of Urban Design, Payam Noor University, Tehran, Iran

2 Department of Architectural Engineering, Faculty of Art and Architecture Saba, Shahid Bahonar University, Kerman, Iran.

3 Department of Urban Planning, Faculty of Art and Architecture, Salman Farsi University, Kazerun, Iran.

Abstract

The Zandieh complex in Shiraz is considered one of the most prominent historical architectural and urban planning ensembles in Iran, where the art and ornamentation of buildings have reached their peak. The present study aims to examine the decorations, physical structure, and external layers of the buildings within the Shiraz Zandieh complex and identify the influencing factors. The research method employed is descriptive-analytical. The study's theoretical framework is based on library research, while the analysis of the decorations used in this complex relies on field surveys. The findings of this study indicate that innovative approaches have been applied in the ornamentation of this complex. Political and social conditions have led to factors such as the influence of mythical and ancient art, the integration of decorations into the architectural structure, and introversion in the creation of ornaments. The decorations used in this complex contain patterns, symbols, and signs that contribute to the unity and meaning of the works. Moreover, this architecture has not overlooked the pedestrian perception scale, paying attention to the ornamentation of passageways and the observer's perspective

Highlights

  • Examining the influence of mythological and ancient art on the architectural ornaments of the Zand Complex, including the use of Shahnameh motifs and epic themes.
  • Emphasizing the integration of decorations with the architectural structure, highlighting their role as a part of the visual and structural identity of the buildings.
  • Analyzing the introversion in Zand-era urban architecture due to social and security conditions of the time, along with the design of enclosed squares.
  • Showcasing artistic unity and harmony in the Zand Complex’s ornaments, including vegetal, geometric, and brick patterns in various parts of the buildings.
  • Considering the pedestrian perception scale and observer’s viewpoint in designing public spaces, entrances, and passageways to create urban harmony.

Keywords

References

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Iranian Urban Design Studies
Volume 1, Issue 2 - Serial Number 2
January 2025
Pages 321-344

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History

  • Receive Date: 11 October 2024
  • Revise Date: 15 November 2024
  • Accept Date: 18 December 2024
  • First Publish Date: 19 January 2025
  • Publish Date: 19 January 2025

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